Research Career 【 display / non-display 】

Research Career 【 display / non-display 】

• Art as Extended Mind-Body: Analysis on Embodied Process of Thinking in Art Making

  Project Year：  -   

• Affective Figures: Embodied Power of Art

  Project Year： 2019.04  -   

Books 【 display / non-display 】

Books 【 display / non-display 】

• Over the Cinema

  ISHIOKA Yoshiharu, MIURA Tetsuya, IRIE Tetsuro, DOI Nobuaki, HIRAKURA Kei, HATAKEYAMA Muneaki (Part： Joint Work , Range: Audio-Visual Depictions of Destruction, Collapse and Entropy )

  Filmart  2018.03 ISBN: 4845915871

  Amazon

• American Avant-garde Movies

  Tomohiro Nishimura, Yu Kaneko, Takashi Echigoya, You Oota, Julian Ross, Hirofumi Sakamoto, Kei Hirakura, Takayuki Yoshida, Tomonari Nishikawa, Hidenori Okada (Part： Joint Work , Range: Discrepant Beat: Robert Smithson's Spiral Jetty )

  Shinwasya  2016.11 ISBN: 9784864051033

  Amazon

• Documents: 14 Evenings

  The National Museum of Modern Art, Tokyo (Part： Joint Work , Range: "Videmus (We See): Kobayashi Kohei's T,i,m,e,m,a,c,h,i,n,e, " pp. 295-300 )

  Seigensya  2013.11 ISBN: 9784861524066

  Amazon

• Godard's Method(s)

  (Part： Single Work )

  Inscript  2010.12 ISBN: 9784900997318

  Amazon

• Utopia: Here and There

  HIRAKURA Kei, Dennitza GABRAKOVA, HASHIMOTO Satoru, YOSHIDA Kei, IDO Misato, NAKAJIMA, Takahiro, ZHANG Xudong, KOBAYASHI Yasuo (Part： Joint Work , Range: "Utopia through Likeness: Godard's Logic of Similarity, " pp. 13-23 )

  UTCP  2008.09 ISBN: 1882-742X

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Thesis for a degree 【 display / non-display 】

Thesis for a degree 【 display / non-display 】

• ジャン=リュック・ゴダール論―編集／ミキシングによる思考

  平倉　圭 

    2009.07  [Refereed]

  No Setting   Single Work

  　View Summary

  博士論文

• ジャン=リュック・ゴダール論

  平倉　圭 

    2002.03  [Refereed]

  No Setting   Single Work

  　View Summary

  修士論文

• 「目的なき合目的性」とは何か

  平倉　圭 

    2000.03  [Refereed]

  No Setting   Single Work

  　View Summary

  学士論文

Papers 【 display / non-display 】

Papers 【 display / non-display 】

• The "Nature Studies" of Merce Cunningham: Offset Rhythm, Figures of Other Species, and the Ecology of Songs

  HIRAKURA Kei

  Choreologia ( Japanese Society for Dance Research )  ( 41 )   32 - 40   2019.03  [Invited]

  Single Work

• Concrescent Figure: Embodied Thought Process in La Garoupe of Picasso et al.

  Kei Hirakura

  Hyosyo: Journal of the Association for Studies of Culture and Representation ( the Association for Studies of Culture and Representation )  ( 11 )   146 - 164   2017.03  [Refereed]

  Single Work

• 4 notes on Adieu au langage

  Eureka ( Seidosha )  47 ( 1 )   150 - 160   2015.01  [Invited]

  Single Work

• Folding structures and the "distance": seeing Hishida Shunso's Ochiba(Falling Leaves) and Soshun(Early Spring)

  Newsletter of The National Museum of Modern Art, Tokyo ( The National Museum of Modern Art, Tokyo )  ( 609 )   10 - 11   2014.10  [Invited]

  Single Work

• The Landscape within Conjunctions: Godard after Deleuze

  KALLISTA: The Journal of Aesthetics and Art Theory ( Institute of Aesthetics, Tokyo University of the Arts )  ( 19 )   66 - 73   2012.12  [Invited]

  Single Work

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Review Papers 【 display / non-display 】

Review Papers 【 display / non-display 】

• Roundtable: For the Centenary of Merce Cunningham's Birth (SAKO Haruko, TOYAMA Kikuko, HIRAKURA Kei, MUTO Daisuke)

  SAKO Haruko, TOYAMA Kikuko, HIRAKURA Kei, MUTO Daisuke

  Choreologia ( Japanese Society for Dance Research )  ( 41 ) 41 - 48   2019.03

  Introduction and explanation (scientific journal)   Joint Work

• Review: CHIBA Masaya, Nonsense without Sense

  HIRAKURA Kei

  REPRE ( The Association for Studies of Culture and Representation )  ( 35 )   2019.02

  Book review and document introduction, etc.   Single Work

• Heterodyne: Paul Sharits

  HIRAKURA Kei

  after statements ( Toshi Shibata / Hikotaro Kanehira / Hirofumi Isoya )    2019.02

  Introduction and explanation (others)   Single Work

• Metapatterns and the theory of good nature

  HIRAKURA Kei

  Shuta Hasunuma ~ ing ( SHISEIDO )    43 - 46   2018.11

  Introduction and explanation (others)   Single Work

• Review: MIURA Tetsuya, Happy Hour

  HIRAKURA Kei

  REPRE ( The Association for Studies of Culture and Representation )  ( 34 )   2018.10

  Book review and document introduction, etc.   Single Work

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Works 【 display / non-display 】

Works 【 display / non-display 】

• Dance as Chisel

  KAMIMURA Megumi, HIRAKURA Kei, TSUDA Michiko  Artistic Activity 

  2019.03

  -

  2019.04

   

• Traverser la route

  SHINODA Chiharu, HIRAKURA Kei, et al.  Artistic Activity 

  2018.05

  　

  　

   

• Building a cave

  SHINODA Chiharu, Yokohama Architectural and Urban Studies F, HIRAKURA Kei, FUJIWARA Teppei  Artistic Activity 

  2018.03

  　

  　

   

• Mapping to Diagrammatic Explanation ("Moving Pictures of Thought")

  HIRAKURA Kei  Artistic Activity 

  2016.05

  　

  　

   

  　View Summary

  A Poster on Robert Smithson's Spiral Jetty, mapping the way of helicopter shooting.

• Folding Different Species

  Kei HIRAKURA, Takuya INABA , Yuya KOYAMA , Tomomi SANO , Hiroko TANABE , Yui NAKAMURA , Hiroki+h YAMAMOTO , Kenichiro WATANABE  Artistic Activity 

  2016.01

  　

  　

   

  　View Summary

  Exploring the art of folding different species -- human and nonhuman -- to look for and embody the different ways of life. Exhibition and Performance by the participants of the workshop: Thinking outside Body, Folding Different Species organized by Kei Hirakura.

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Academic Awards Received 【 display / non-display 】

Academic Awards Received 【 display / non-display 】

• The Association for Studies of Culture and Representation Award

  2011.07.02   The Association for Studies of Culture and Representation   Godard's Method(s), Inscript, 2010.

  Winner： HIRAKURA, Kei

Grant-in-Aid for Scientific Research 【 display / non-display 】

Grant-in-Aid for Scientific Research 【 display / non-display 】

• Affective Figures: Embodied Power of Art

  Grant-in-Aid for Scientific Research(C)

  Project Year： 2019.04  -   

• The Expanded Mind-Body: Materialized Thinking Processes in Art Making

  Grant-in-Aid for Young Scientists(B)

  Project Year： 2014.04  -  2018.03  Investigator(s): HIRAKURA, Kei

Presentations 【 display / non-display 】

Presentations 【 display / non-display 】

• Animality and Rhythm in Merce Cunningham's "Nature Studies": On Beach Birds for Camera (Animality and Rhythm in Merce Cunningham's "Nature Studies": On Beach Birds for Camera (1991)

  HIRAKURA Kei  [Invited]

  Symposium and Roundtable for the Centenary of Merce Cunningham's Birth  (Waseda University)  2018.09.09   Japanese Society for Dance Research

• The analytical use of dizziness by Arakawa+Gins et al., For Example

  HIRAKURA Kei  [Invited]

  On For Example  (Toyo University)  2017.12.17   Studies of the Architectural Body, Institute of Oriental and Occidental Studies, Kansai University

• Listening to Enantiomorphic Chambers

  HIRAKURA Kei  [Invited]

  Afterthought Enantiomorphic Chambers #3: Robert Smithson without Robert Smithson, railroad siding 2015  2015.09.06  

• Animal and capitalism

  Hirakura Kei  [Invited]

  UTCP Symposium "Toward a Newer Universality: Dialogue with Yasuo Kobayashi"  (The University of Tokyo, Komaba)  2015.01.24   Center for Philosophy, University of Tokyo (UTCP)

• Figure of concrescence: analyzing the embodied thinking process in Picasso et al., La Garoupe (1955)

  Hirakura Kei

  9th Annual Workshop, the Association for Studies of Culture and Representation  (Niigata University)  2014.11.08   The Association for Studies of Culture and Representation

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Social Contribution(Extension lecture) 【 display / non-display 】

Social Contribution(Extension lecture) 【 display / non-display 】

• Discussion: SOUNDWALK COLLECTIVE, WHAT WE LEAVE BEHIND

  BUNKITSU, Roppongi  （BUNKITSU, Roppongi） 

  2019.04

  　

  　

• Ozu Dance (Jareo Osamu + Hirakura Kei)

  blanClass / Next Urban Lab, Yokohama National University / Hirakura Lab., Yokohama National University  （blanClass） 

  2019.02

  　

  　

• Dance=Thought 5, Gesture, Habit, and Weight

  SCOOL  （SCOOL） 

  2018.11

  　

  　

• Discussion: "When Eyes become Screens" and "Over the Cinema" (FUKUO Takumi, ISHIOKA Yoshiharu, MIURA Tetsuya, HIRAKURA Kei)

  Y-GSC Studio, Institute of Urban Innovation, Yokohama National University / Film Art  （Y-GSC Studio, Institute of Urban Innovation, Yokohama National University） 

  2018.09

  　

  　

• KAC S/F Lab. vol.6: Creation and Criticism

  Kyoto Art Center  （Kyoto Art Center） 

  2018.09

  　

  　

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