NAKAGAWA Katsushi

Affiliation

Faculty of Urban Innovation, Division of Urban Innovation

Job Title

Associate Professor

Date of Birth

1975

Research Fields, Keywords

Sound Studies, Contemporary Music, Sound Art, Sound Media Studies

Mail Address

E-mail address

Web Site

https://sites.google.com/site/audibleculture/4_profile

Related SDGs




写真a

The Best Research Achievement in the last 5 years 【 display / non-display

Graduate School 【 display / non-display

  •  
    -
    2006.03

    Kyoto University  Graduate School, Division of Letters  Dept. of Aesthetics and Art History  Doctor Course  Accomplished credits for doctoral program

Degree 【 display / non-display

  • Doctor of Literature -  Kyoto University

Campus Career 【 display / non-display

  • 2011.04
    -
    Now

    Duty   Yokohama National UniversityFaculty of Urban Innovation   Division of Urban Innovation   Associate Professor  

  • 2017.04
    -
    Now

    Concurrently   Yokohama National UniversityCollege of Urban Sciences   Department of Urban and Social Collaboration   Associate Professor  

  • 2011.04
    -
    Now

    Concurrently   Yokohama National UniversityGraduate School of Urban Innovation   Department of Architecture and Urban Culture   Associate Professor  

  • 2011.04
    -
    Now

    Concurrently   Yokohama National UniversityGraduate School of Urban Innovation   Department of Urban Innovation   Associate Professor  

Academic Society Affiliations 【 display / non-display

  • 2012.10
     
     
     

    Japanese Association for Studying Popular Music

  • 2000.04
     
     
     

    The Japanese Society for Aesthetics

  • 2000.04
     
     
     

    International Congress of Aesthetics

 

Research Career 【 display / non-display

  • The development of Sound Art in Japan in the 1980s

    Project Year: 2015.04  -   

  • Establishment of a foundation for sound art research based on East Asian examples

    Grant-in-Aid for Scientific Research  

    Project Year: 2020.04  -   

Books 【 display / non-display

  • History of Sound Media

    TANIGUCHI Fumikazu, NAKAGAWA Katsushi and FUKUDA Yudai (Part: Joint Work )

    Nakanishiya Syuppan  2015.05 ISBN: 9784779509513

    Amazon

  • Computational aesthetics

    鈴木 泰博 (Part: Joint Work )

    Springer  2019 ISBN: 9784431568421

    CiNii

  • Computational Aesthetics(SpringerBriefs in Applied Sciences and Technology)

    Yasuhiro Suzuki, Katsushi Nakagawa, Takashi Sugiyama, Fuminori Akiba, Eric Maestri, Insil Choi, and Shinya Tsuchiya. (Part: Joint Work , Range: A Brief Consideration About the Relationship Between Sound Art and Tactile Sense. )

    Springer,1st ed. 2019版  2018.10 ISBN: 9784431568421

     View Summary

    NAKAGAWA Katsushi. 2019. "A Brief Consideration About the Relationship Between Sound Art and Tactile Sense." In: Computational Aesthetics. SpringerBriefs in Applied Sciences and Technology. Springer, Tokyo: 53-65.

    Amazon

Thesis for a degree 【 display / non-display

Papers 【 display / non-display

  • How to Explore Sound Installation: Four Focuses You Can Use When Examining Sound Installation Works.

    NAKAGAWA Katsushi

    Tokiwadai journal of human sciences ( Yokohama National University Faculty of Urban Innovation )  6 ( 1 )   63 - 99   2020.03

    Single Work

     View Summary

    This article proposes four focuses that we can use when thinking about sound installation: 1. The installed situation, 2. The sonic aspect, 3. The visual aspect, 4. The relation with the viewer/auditor. One of the virtues of this article would be plenty of descriptions of sound installation works with the emphasis on these four focuses. I assume these focuses not as `requirements or sufficient conditions for sound installation' but as `comparative factors with which we can use to compare one sound installation work with another.' I have derived these four focuses mostly empirically and less based on the theoretical or organized perspective partly because I cannot find any previous research in a similar direction. I welcome any suggestion and critique in this article, which will contribute to the article on the genre Sound Art which I plan to make in the future. This is the former half of the article about sound installation. I have written the original article above the required number of characters so that I needed to divide it into two parts for publication. This former part deals with 1 and 2. The latter half is to appear in the journal of Bulletin of Onomichi City University Faculty of Artistic Culture, vol. 19 in 2020.

    DOI

  • Why did the composer begin to make visual art?: The ambient music and sound art of YOSHIMURA Hiroshi

    NAKAGAWA Katsushi

    Proceedings (CD-ROM) of the 21st INTERNATIONAL CONGRESS OF AESTHETICS ( Faculty of Architecture, Belgrade, Serbia )    2019.07  [Refereed]

    Single Work

  • Environmental music in the field of popular music: The case of 1980s Japan.

    NAKAGAWA Katsushi

    横浜国立大学教育学部紀要. Ⅱ, 人文科学 ( 横浜国立大学教育学部 )  21   32 - 44   2019.02

    Single Work

     View Summary

    This brief reflection is based on my oral presentation entitled as “Environmental music in the field of popular music: The case of 1980s Japan,” which I delivered on June 17th, 2018 at the 6th Inter-Asia Popular Music Studies Conference at Communication University of China, Beijing, China. Although this reflection has a lot of weaknesses, some of which were flagged up during a panel discussion (panel 5. Japanese Pasts) with Hiroshi Ogawa (Chair), Kouki Shibadai, and Sota Takahashi, I am making this presentation public in order to contribute to the future discussions among scholars and practitioners in this field. The following is a modified version of that presentation, added with notes, the section omitted at the oral presentation, and a bibliography.

  • A Brief Consideration About the Relationship Between Sound Art and Tactile Sense.

    Katsushi Nakagawa

    Computational Aesthetics. SpringerBriefs in Applied Sciences and Technology. ( Springer, Tokyo )    53 - 65   2018.09

    Single Work

  • The Possible Context of Sound Art in Japan in the late 1980s: The Case of Creative Music Making.

    中川 克志

    横浜国立大学教育学部紀要. Ⅱ, 人文科学 ( 横浜国立大学教育学部 )  1   18 - 35   2018.02

    Single Work

    DOI CiNii

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Review Papers 【 display / non-display

Grant-in-Aid for Scientific Research 【 display / non-display

  • Establishment of a foundation for sound art research based on East Asian examples

    Grant-in-Aid for Scientific Research(C)

    Project Year: 2020.04  -  2024.03  Investigator(s): NAKAGAWA Katsushi

  • Grant-in-Aid for challenging Exploratory Research

    Project Year: 2018.06  -  2021.03 

  • Grant-in-Aid for Scientific Research(C)

    Project Year: 2015.04  -  2018.03 

  • Grant-in-Aid for challenging Exploratory Research

    Project Year: 2015.04  -  2017.03 

  • Grant-in-Aid for Young Scientists(B)

    Project Year: 2012.04  -  2015.03 

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Presentations 【 display / non-display

  • "On the Case of Kankyo Ongaku in the 1980s (or myself)" at International Popular Music Studies Presentation Session

    NAKAGAWA Katsushi

    2019.12.07  

  • Why did the composer begin to make visual art?: The ambient music and sound art of YOSHIMURA Hiroshi

    NAKAGAWA Katsushi

    the 21th International Congress of Aesthetics  (University of Belgrade, Belgrade, Serbia)  2019.07.24   International Congress of Aesthetics

  • Environmental music in the field of popular music: The case of 1980s Japan.

    NAKAGAWA Katsushi

    The 6th Inter-Asia Popular Music Studies Conference  (Communication University of China, Beijing, China)  2018.06   Communication University of China

  • History of sound art in Japan and how to compare sound art in Asian countries (research in progress)

    NAKAGAWA Katsushi

    "Panel 3: Scene Report on Sound Practices in Japan, Hanoi" of WSK AXIS 2017  (De La Salle-College of Saint Benilde, Manila, Philippines)  2017.10.27   WSK Festival of The Recently Possible

  • The possible direction of sound art in Japan in the 1980s: the Case of SEKINE Hideki.

    NAKAGAWA Katsushi

    Crossroad2016  (University of Sydney, Australia)  2016.12.17  

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Social Contribution(Extension lecture) 【 display / non-display